张殿平 名人传记《中国书画名家作品展播》

静水深流：读张殿平书法

在这个视觉刺激泛滥的时代，能让人“入心”的艺术并不多见。张殿平的书法便有一种罕见的沉静之力——那不是第一眼的惊艳，而是目光停留之后，心绪渐渐沉降下来的温柔。静，如秋水深潭，波澜不惊，却蕴藉无穷。

他的作品，首先打动人的是那股温润的笔意。没有剑拔弩张的凌厉，没有刻意求奇的狂怪。线条皆呈“棉里裹铁”之质——外表柔和，内里筋骨分明。这种温柔不是软弱，而是岁月淘洗后的从容。可以想见他运笔之时，笔锋沉着，气息平和，如长者娓娓道来，不疾不徐，让人放下浮躁，随他走进笔墨构筑的精神家园。

尤为难得的，是作品中的“入心”之感。这得益于他对空间与留白的精妙处理。字与字、行与行之间，疏朗有致，仿若有清风穿过。那些留白并非虚无，而是气韵流动的通道，给心灵留下呼吸的余地。当他抄录古诗词或即兴挥毫时，墨色便不再是单纯的汉字，而成了一段可以被阅读的心情——一种与古人神交的静谧，一种在喧嚣中自我沉淀的力量。

这种静心感受，最终归结于书写者心性的流露。张殿平的笔下没有时下的躁气与火气，没有为博眼球的夸张变形。线条内敛，结体端庄，能看出理性的约束与审美的克制。这并非技法不足，而是心境的外化——在艺术上长期耕耘后返璞归真的状态。

品读张殿平书法，如在雨后竹林漫步，空气清新，气息甜润，焦灼与不安被洗涤一空。他以笔墨提醒我们：书法不仅是线条的艺术，更是安顿心灵的方式。那一纸墨色之间，找到了久违的安宁与温柔。

张殿平，男，1948年生，山东日照人，原日照市卫生防疫站站长、党总支书记，主任医师，就职于日照市疾病预防控制中心。在医疗卫生岗位履职多年，恪尽职守，退休之后潜心深耕书法艺术，是齐鲁大地德艺双修的老一辈实力派书法家。

先生自幼喜爱传统书法艺术，虽早年医务工作事务繁重，依旧不忘翰墨初心，坚持临池习字，反复揣摩历代名家碑帖，汲取传统书法艺术养分，打下牢固的书法根基。离开工作岗位后，得以全身心投入书法创作，潜心研习楷、行、草诸体，尤其在行草书法上用功尤深。取法传统，博采众长，融会古今笔墨精髓。他的行草作品笔法沉稳遒劲，提按转折变化丰富，线条流畅洒脱，章法布局疏密得当，通篇行气连贯，既有古法的严谨法度，又兼具抒情写意的艺术张力。书写古典诗词佳作时，笔墨气韵与诗文意境浑然一体，书为文服务，文助书神采，作品大气舒展，格调端正，富有感染力。

现为日照市书法家协会会员，日照市老年书画研究会会员，中国老年书画研究会会员，受聘担任中国书画研究院院士、香港中国书画家协会理事。积极参与省、市以及全国各类书画展览与赛事，多次斩获金奖、一等奖等重要奖项，先后被授予“中华书画艺术优秀传承者”“当代书画精英”“中国书法美术百杰”“新时代中华文化践行者”“致敬建党百年艺术人物”等多项荣誉称号。

立足齐鲁地域文化，坚守传统正道，不尚浮华，将丰富的人生阅历、宽厚的个人修养融入笔端。作品风格朴茂雄健，书卷气息浓厚，多次参加各类书画公开展览，不少作品被艺术机构与书画爱好者收藏。

张殿平先生秉持艺术服务大众的理念，积极参与书画文化交流，以笔墨传承中华优秀传统文化。为人谦和低调，在鲁东南书画圈拥有良好口碑，以踏踏实实的笔墨实践，践行新时代文艺爱好者的文化使命。

Zhang Dianping, male, born in 1948, is from Rizhao, Shandong. He was formerly the head of the Rizhao Health and Epidemic Prevention Station, the secretary of the Party Branch, and the chief physician. He works at the Rizhao Disease Prevention and Control Center. Having served in the medical and health sector for many years, I have fulfilled my duties diligently and devoted myself to the art of calligraphy after retirement. I am one of the older generation of powerful calligraphers in the land of Qilu, known for my dual cultivation of morality and art.

Mr. has been fond of traditional calligraphy art since childhood. Despite the heavy workload of medical work in his early years, he still remembers his original intention of calligraphy and ink painting. He insists on practicing calligraphy near the pond, repeatedly studying the inscriptions of famous calligraphers throughout history, absorbing the nutrients of traditional calligraphy art, and laying a solid foundation for calligraphy. After leaving work, I was able to devote myself wholeheartedly to calligraphy creation, focusing on studying Kai, Xing, and Cao styles, especially in cursive calligraphy. Adopting traditional methods, drawing on the strengths of others, and integrating the essence of ancient and modern calligraphy and painting. His cursive works have a steady and vigorous brushwork, with rich changes in strokes and transitions, smooth and free flowing lines, appropriate arrangement and density, and a coherent flow throughout the text. They not only have the rigorous rigor of ancient methods, but also possess the artistic tension of lyrical and freehand brushwork. When writing excellent classical poetry and prose, the charm of brushwork and the artistic conception of poetry and prose are seamlessly integrated. The book serves the text, and the text assists the book with its brilliance. The work is grand and elegant, with a correct style and rich infectiousness.

I am currently a member of the Rizhao Calligraphers Association, the Rizhao Elderly Calligraphy and Painting Research Association, and the Chinese Elderly Calligraphy and Painting Research Association. I have been appointed as an academician of the Chinese Academy of Calligraphy and Painting and a director of the Hong Kong Chinese Calligraphers and Painters Association. Actively participating in various calligraphy and painting exhibitions and competitions at the provincial, municipal, and national levels, I have won important awards such as gold and first prizes multiple times, and have been awarded multiple honorary titles such as "Excellent Inheritor of Chinese Calligraphy and Painting Art", "Contemporary Calligraphy and Painting Elite", "Top 100 Chinese Calligraphy Artists", "Practitioner of Chinese Culture in the New Era", and "Salute to Art Figures of the 100th Anniversary of the Founding of the Communist Party of China".

Based on the regional culture of Qilu, we adhere to the traditional and righteous path, avoid extravagance, and integrate rich life experience and generous personal cultivation into our writing. The style of the works is simple and vigorous, with a strong literary atmosphere. It has participated in various public exhibitions of calligraphy and painting multiple times, and many of its works have been collected by art institutions and calligraphy and painting enthusiasts.

Mr. Zhang Dianping adheres to the concept of serving the public through art, actively participates in cultural exchanges in calligraphy and painting, and uses his brush and ink to inherit excellent traditional Chinese culture. As a humble and low-key person, he has a good reputation in the calligraphy and painting circle in southeastern Shandong. With down-to-earth pen and ink practice, he fulfills the cultural mission of art enthusiasts in the new era.